GEAR LIST

CLICK FOR GEAR INFO

1

2

1

5 ORIGINAL

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SET YOUR BACKLIGHT FIRST. TEST IT.

LIGHT ON THE BACK GROUND SHOULD NOT BE DIRECT. UMBRELLAS MUST BE USED TO CREATE A FALL OFF LIGHT.

ADD WHITE POLLY BOARDS TO STOP THE BACK LIGHTS TO FALL OFF IN FRONT. SEE THE GUIDE IMAGES FOR THE POSITIONING.

TURN ON YOUR LARGE UMBRELLA, SET IT'S POWER TO 6.0. TURN ON THE SECOND UMBRELLA UNDER IT. SET TO 4.0.

ADD A THIRD UMBRELLA ON THE OPPOSITE SIDE TO CREATE AN EVEN FILL. SET IT TO 4.0.

ADD A BLACK POLY-BOARD ON THE SIDE OF THE MODEL TO ADD SOME CONTRAST.

TEST YOUR CAMERA SETTINGS STARTING FROM (1/160, F8, ISO 400).

ADJUST YOUR LIGHT AND CAMERA SETTINGS ACCORDING TO YOUR ENVIRONMENT AND MODEL'S SKIN.

GEAR LIST

CLICK FOR GEAR INFO

DEEP LARGE SILVER UMBRELLA

DEEP LARGE SILVER UMBRELLA

The Profoto deep silver umbrella has a deeper, more parabolic shape than the average umbrella. The deeper shape gives the photographer better control of the light spread. It also allows the photographer to focus and shape light by simply sliding the umbrella shaft in its holder.

SIMILAR SIZED DEEP SILVER UMBRELLA

DEEP SMALL SILVER UMBRELLA

DEEP SMALL SILVER UMBRELLA

It also allows you to focus and shape light by simply sliding the umbrella shaft backward or forward in its holder. The Umbrella Deep Silver creates a crisp, direct light with more contrast and a high light output, a little like the light you'd get from a hard reflector. Source (Profoto.com)

SIMILAR SIZED DEEP SILVER UMBRELLA

SMALL WHITE UMBRELLA

SMALL WHITE UMBRELLA

SIMILAR SIZED WHITE UMBRELLA

WHITE POLYBOARD

WHITE POLYBOARD

WHITE CLOTH, WHITE FOAM BOARD.

BLACK POLYBOARD

BLACK POLYBOARD

BLACK CLOTH OR BLACK CARDBOARD

PROFOTO D1

PROFOTO D1

ANY 500 W FLASH HEAD

1

2

2

2

1

5

ORIGINAL

SET YOUR BACKLIGHT FIRST. TEST IT.

LIGHT ON THE BACK GROUND SHOULD NOT BE DIRECT. UMBRELLAS MUST BE USED TO CREATE A FALL OFF LIGHT.

ADD WHITE POLLY BOARDS TO STOP THE BACK LIGHTS TO FALL OFF IN FRONT. SEE THE GUIDE IMAGES FOR THE POSITIONING.

TURN ON YOUR LARGE UMBRELLA, SET IT'S POWER TO 6.0. TURN ON THE SECOND UMBRELLA UNDER IT. SET TO 4.0.

ADD A THIRD UMBRELLA ON THE OPPOSITE SIDE TO CREATE AN EVEN FILL. SET IT TO 4.0.

ADD A BLACK POLY-BOARD ON THE SIDE OF THE MODEL TO ADD SOME CONTRAST.

TEST YOUR CAMERA SETTINGS STARTING FROM (1/160, F8, ISO 400).

ADJUST YOUR LIGHT AND CAMERA SETTINGS ACCORDING TO YOUR ENVIRONMENT AND MODEL'S SKIN.

Our Studio Partners Have Discounts for you!

STUDIO
PASS

GEAR LIST

CLICK FOR GEAR INFO

DEEP LARGE SILVER UMBRELLA

DEEP LARGE SILVER UMBRELLA

The Profoto deep silver umbrella has a deeper, more parabolic shape than the average umbrella. The deeper shape gives the photographer better control of the light spread. It also allows the photographer to focus and shape light by simply sliding the umbrella shaft in its holder.

SIMILAR SIZED DEEP SILVER UMBRELLA

DEEP SMALL SILVER UMBRELLA

DEEP SMALL SILVER UMBRELLA

It also allows you to focus and shape light by simply sliding the umbrella shaft backward or forward in its holder. The Umbrella Deep Silver creates a crisp, direct light with more contrast and a high light output, a little like the light you'd get from a hard reflector. Source (Profoto.com)

SIMILAR SIZED DEEP SILVER UMBRELLA

SMALL WHITE UMBRELLA

SMALL WHITE UMBRELLA

SIMILAR SIZED WHITE UMBRELLA

WHITE POLYBOARD

WHITE POLYBOARD

WHITE CLOTH, WHITE FOAM BOARD.

BLACK POLYBOARD

BLACK POLYBOARD

BLACK CLOTH OR BLACK CARDBOARD

PROFOTO D1

PROFOTO D1

ANY 500 W FLASH HEAD

1

2

2

2

1

5

ORIGINAL

SET YOUR BACKLIGHT FIRST. TEST IT.

LIGHT ON THE BACK GROUND SHOULD NOT BE DIRECT. UMBRELLAS MUST BE USED TO CREATE A FALL OFF LIGHT.

ADD WHITE POLLY BOARDS TO STOP THE BACK LIGHTS TO FALL OFF IN FRONT. SEE THE GUIDE IMAGES FOR THE POSITIONING.

TURN ON YOUR LARGE UMBRELLA, SET IT'S POWER TO 6.0. TURN ON THE SECOND UMBRELLA UNDER IT. SET TO 4.0.

ADD A THIRD UMBRELLA ON THE OPPOSITE SIDE TO CREATE AN EVEN FILL. SET IT TO 4.0.

ADD A BLACK POLY-BOARD ON THE SIDE OF THE MODEL TO ADD SOME CONTRAST.

TEST YOUR CAMERA SETTINGS STARTING FROM (1/160, F8, ISO 400).

ADJUST YOUR LIGHT AND CAMERA SETTINGS ACCORDING TO YOUR ENVIRONMENT AND MODEL'S SKIN.

Our Studio Partners Have Discounts for you!

STUDIOPASS

STUDIO
PASS