WHEN IT COMES TO LIGHTING THIS SHOT IT'S IMPORTANT TO BE IN A COMPLETELY WHITE PAINTED STUDIO.

KEEP MODEL CLOSER TO THE BACKDROP AND SIDE WALLS TO LET WALLS BOUNCE OFF SOME FILL LIGHT.

USE A HALF SILK SCRIM.

KEEP ONE SILVER UMBRELLA SLIGHTLY HIGHER THAN THE OTHER SO THAT THERE IS A GOOD SPREAD.

SET THE FLASH POWER TO 6.0 ON BOTH LIGHTS.

USE A CANON 14MM LENS AS MENTIONED IN THE GEAR LIST. AFTER TAKING THE SHOT, CROP IN SO THAT YOU DON'T SEE THE CURVES OF THE LENS ON TOP AND BOTTOM.

START TO TEST YOUR CAMERA SETTINGS TO (1/200, F6.3, ISO 640)

ADJUST YOUR CAMERA AND LIGHT SETTINGS TO BEST SUIT YOUR ENVIRONMENT AND MODEL'S SKIN.